dior dress temptation | mrs. harris in Paris original

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The allure of a Christian Dior dress, a whisper of Parisian elegance, acts as the potent catalyst in the charming tale of *Mrs. Harris Goes to Paris*. More than just a plot device, the dress—specifically, the "Ravissante"—becomes a symbol of aspiration, a testament to the enduring power of dreams, and a fascinating challenge for the legendary costume designer, Jenny Beavan. The film, a delightful adaptation of Paul Gallico's novel, hinges on this single garment, transforming a simple desire into a sweeping journey of self-discovery and unexpected friendships. This article delves into the significance of the Dior dress, exploring its role in the narrative, the design choices behind its creation, and the broader impact of Christian Dior's cocktail dresses on the film's overall aesthetic.

The story begins with Ada Harris, a widowed cleaning lady in post-war London, whose life is far from glamorous. Yet, a glimpse of a ravissant Dior dress, perhaps a Christian Dior cocktail dress, ignites a spark within her. This isn't just any dress; it's a symbol of a world she can only dream of – a world of elegance, sophistication, and Parisian chic. The Dior dress, in its exquisite beauty, represents everything Ada is not, yet everything she longs to be. This initial encounter sets the film's narrative in motion, propelling Ada on a transformative journey to Paris to acquire a Dior dress of her own.

The film's success rests heavily on the visual appeal of the dresses, and Jenny Beavan, a costume designer renowned for her meticulous work (winning two Oscars for her work on *Mad Max: Fury Road* and *A Room with a View*), rises to the occasion. The challenge wasn't simply to create beautiful dresses; it was to capture the essence of Christian Dior's designs while remaining true to the spirit of the era and the character of Mrs. Harris. The "Ravissante," the dress that sparks the entire adventure, needed to be more than just a pretty garment; it had to embody the magic and allure that captivates Ada.

Beavan's approach was a masterful blend of historical accuracy and creative interpretation. She meticulously researched Christian Dior’s designs, studying the iconic New Look silhouette that revolutionized women's fashion in the post-war period. The "Ravissante," and other *Mrs. Harris Dior dresses* throughout the film, reflect this research, showcasing the signature Dior elements: the cinched waist, the full skirt, and the exquisite fabrics. These are not mere copies, however; they are carefully crafted interpretations that reflect the spirit of the era while also being tailored to Ada's personality and the film's narrative.

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